Author archive for leonard slatkin

  • SEPTEMBER 2009: Change Is in the Air

    “Harsh booing at the gala opening night of the Metropolitan Opera—where strong negative reactions are rarely heard, at least in comparison with European opera houses—was still ringing in the ears of the opera world on Tuesday.”
    — The New York Times, Sept. 23, 2009

    The Detroit Symphony has announced plans for a completely revamped season, starting with its concerts this week. The programs will not be changed, at least the ones advertised, but the manner in which the works are performed will be altered.

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  • SEPTEMBER 2009: Special Edition

    Usually I am content just to write about the past months activities, with no stopping off for side trips. But since 65 seems to be one of those special occasions, and since it turned out to be unique, I have decided to share it with everyone a bit earlier than usual.

    For three days, I have been part of a Festival in Dubrovnik which is called “Julian Rachlin and Friends.” Boy, does he have a lot of friends. Our pictures are plastered on posters distributed all over town. Julian had invited me to work here and I readily agreed, knowing that the milestone birthday would occur in this beautiful Croatian city.

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  • SEPTEMBER 2009

    Egad!!! I am 65. Some folks have said that this is the new 45, but I don’t remember that time as being so great either. In any event, August was a fine month before I officially hit old age.

    Wrapping up the week at Tanglewood was a concert that helped kick off the celebration of Sir James Galway’s 70th birthday, which is not for another five months. Jimmy and I have been longtime collaborators and there are few musicians who are easier to work with. And the jokes between movements … don’t get me started.

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  • AUGUST 2009

    This month’s installment will be quite a bit shorter than most. The reason is simple: I took most of July off.

    As with last summer, my son Daniel and I took three weeks to visit various baseball parks around the country. Our time was divided into the West Coast stadiums and then Chicago and St. Louis. It was at the latter that I attended my first All-Star Game. We had a terrific time and are trying to figure out what we will do next summer to top this trip.

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  • JULY 2009

    One can feel it in the air. The end of the concert season is close and various forms of time off are near. There is a physical letdown and the best you can do, after the ardors of a tough season, is to take little vacations along the way.

    Such was the case at the beginning of the month of June.

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  • JUNE 2009

    On the road once more. This time for six weeks. Groan!

    Now that I actually have a physical place of residence, it seems more difficult to be away. All those boxes that need to get unpacked, getting used to a new kitchen, and those pesky tools that I need to stay away from.

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  • MAY 2009

    Many people tell me that I work too hard. There are probably some who don’t think I work hard enough. All I know is that I have just spent one year during this past April. So hang in with me. This is not going to be short.

    It started with a return to Detroit, doing about eight things at once. There were subscription concerts, with what might be characterized as the first substantive programs I conducted as Music Director. Of course that would be unfair to the three programs I had done earlier, but in fact, we had not played a work labeled “Symphony” on any of those concerts. This program was the only one where there was not a living composer represented, nor an American.

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  • APRIL 2009

    For all the weather ills that befall us at this time of year, March is in many ways my favorite month. Baseball is back. Four and a half months of withdrawal are at an end. All is right with the world. More on this later.

    I was very fortunate that the first two weeks of this period had me on vacation in two favorable climates, Los Angeles and Florida. The first was not planned in my original thoughts. But I found myself intrigued with various aspects of the motion picture industry, based on the week when I conducted the Los Angeles Philharmonic earlier in the year. A few days out in La-La land would give me the chance to connect with several people who are involved in the music scoring aspect of the movie industry.

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  • MARCH 2009

    A great deal of February was spent in teaching mode. First up was a trip to Interlochen, which was not my idea at this time of year. Checking the weather became a fixation as the day of arrival neared. It is at least 10 degrees colder in that part of the world than in Detroit. None the less I arrived to chilly but not unbearable temperatures.

    The Interlochen Arts Academy is one of the only schools devoted to the arts that has a national, and indeed, an international presence. I suppose most people know it from the summer program, but they go pretty much all year round. There were several reasons that compelled me to do this at this time.

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  • FEBRUARY 2009

    After two very intense weeks in Detroit, I thought it would be a simple matter just to go back on the guest circuit. After all, no administrative responsibilities and all I had to do was just conduct.

    Naturally, it did not work out quite that easily.

    First stop was Dallas, where I had not conducted in almost 20 years. I arrived on Monday, January 19th. When I got to my hotel room and switched on the television, I realized that we had a problem. Inauguration day was less than 24 hours away, and with the one-hour time difference between Texas and the East, the orchestra would miss the ceremony.

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