Musicians hate, really hate, getting up early in the morning. That is why orchestra rehearsals don’t start until around 10 a.m. So I felt both lethargy and anxiety when I arrived at the University of Michigan Medical Center at 5:30 a.m. to begin preparations for the day’s events.

After the tests that were given the day before, I received clearance to move forward with the procedure. It struck me as odd that I had to pass tests to determine if I was well enough to fix a major disease. What would have happened if I had a cold, or worse? Knowing that the blockage in my arteries was above 90%, it was not impossible to envision another heart attack while waiting to recover from an unrelated illness.

On November 1, 2009, my heart attacked me.

It was a sneak attack, as six weeks prior I was informed by my general practitioner that a physical exam showed me to be in good health. Over the succeeding years I modified my diet but never really followed anything strict.

Eight-and-a-half years later, I entered the University of Michigan Cardiovascular Center for a triple bypass coronary procedure, an attempt to prevent any further disease. The problem was spotted a few days prior to the surgery, thankfully caught in time before another heart attack.

It seemed to take forever, but spring finally arrived. With snow on the ground right through the middle of the month, Detroit was poised for a continuing winter. However, the chill disappeared in Orchestra Hall with a program that warmed the soul.

The star was our concertmaster, Yoonshin Song, who delivered a magnificent reading of the Second Bartok Concerto. In complete command of this fiendishly difficult work, she made it seem less a virtuoso vehicle and more of a rhapsodic carriage. With her wide command of dynamics, expressive approach to the lyrical passages and faultless intonation, it was one of the best collaborations I have ever experienced in this amazing piece.

The groundhog was right. No signs of spring at all during my four-week trip to Europe. Maybe they should try Katowice Katy instead of Punxsutawney Phil.

I am not exactly sure why we did it, but in Lyon it was decided that we would undertake a two-week Scandinavian Festival. This provided an opportunity to revisit a couple of symphonies that I dearly love as well as one new piece that was most enjoyable to conduct and play. Sibelius seems to go in and out of fashion, and today we have a number of Finnish conductors who have brought him back to life.

Even though my music directorship in Lyon has ended, the six-year tenure stayed very much in the forefront during the month of February. At this time, during the usually bitterly cold weather in Michigan, we put on a festival, in the past devoted to a single composer. With Beethoven, Tchaikovsky, Brahms and Mozart represented in previous seasons, it was time to try something different.

What could be more natural than bringing some of the repertoire from France back to Detroit? After all, the Motor City was founded in 1701 by the explorer and adventurer Antoine de la Mothe Cadillac. It also happens that I drive one of his automobiles. Okay, so he really was from what is now part of Canada, but still, he did create this bustling town and give it a French moniker.