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leonard slatkin
Naxos to Release Complete Leroy Anderson Box Set
Read moreNovember 2, 2021
This month, Naxos Records will release a five-CD box set of Leroy Anderson’s complete orchestral works as recorded by Leonard Slatkin and the BBC Concert Orchestra.
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leonard slatkin
NOVEMBER 2021
Read moreIt was homecoming month for me, with three of the five orchestras I led as music director on the docket. Over three consecutive weeks I conducted in St. Louis, Detroit, and Lyon. Only D.C. and the BBC were missing. But these three reunions were certainly enough to reestablish longstanding connections.
Now that we reside close to Powell Hall, travel expenses to get there are kept to a minimum, and the musical pleasures hit maximum stride in each performance. Although I had seen and conducted several members of the SLSO in smaller-scale programs, this was the first time we were all together onstage for a full-fledged program since the pandemic began.
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leonard slatkin
Slatkin Arrives in Lyon to Conduct Two Programs
Read moreOctober 19, 2021
Leonard Slatkin is back in Europe for the first time since the global pandemic began, conducting Shostakovich’s Symphony No. 8, Rabaud’s La Procession nocturne, and John Williams’s Five Sacred Trees with the Orchestre National de Lyon.
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leonard slatkin
Slatkin Conducts Two World Premieres in Detroit
Read moreOctober 15, 2021
Music Director Laureate Leonard Slatkin returns to the Detroit Symphony Orchestra, conducting Tchaikovsky’s Fifth Symphony and two world premieres: Samuel Adler’s Mirror Images and Joseph Schwantner’s Violin Concerto with soloist Yevgeny Kutick.
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leonard slatkin
“Made in America” with SLSO at Powell Hall
Read moreOctober 7, 2021
St. Louis Symphony Orchestra’s Conductor Laureate Leonard Slatkin takes the stage this weekend for a program that travels backwards in time to get three very different views of America. The performances on October 9 and 10 feature Joan Tower’s Made in America, William Bolcom’s Violin Concerto with soloist David Halen, and Béla Bartók’s Concerto for Orchestra.
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leonard slatkin
OCTOBER 2021
Read moreExcitement was in the air, anticipation was high, and apprehension abounded. This was how the new season of music began in a time of confusion. Everyone had so hoped that we would be back to what we knew before the pandemic, but caution remained the watchword of the day.
I reflected on what has brought us to this point as I looked over my itinerary for the remainder of the year. Instead of the usual “What time does the flight depart?” question, it was more like, “When should we decide if we are going or not?”
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leonard slatkin
Slatkin Launches New Book, “Classical Crossroads”
Read moreSeptember 13, 2021
This week marks the publication of Leonard’s third book, Classical Crossroads: The Path Forward for Music in the 21st Century, available September 15 from Rowman & Littlefield and anywhere books are sold.
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leonard slatkin
Slatkin Premieres “Brahmsiana” with The Orchestra Now
Read moreSeptember 16, 2021
Leonard Slatkin will lead the world premiere of Brahmsiana, his arrangement of Brahms melodies, with The Orchestra Now (TŌN) at Bard College’s Fisher Center, September 18-19, 2021.
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leonard slatkin
SEPTEMBER 2021: Birthday Edition
Read moreBirthdays seem to come more frequently these days. And those of the past are getting more difficult to remember. Where was I last year at this time? There were certainly lots of well-wishers, and my inbox was fuller than usual.
77 is a number that conjures up nothing. Okay, there was that TV show (77 Sunset Strip) and song from back in the late Fifties, but as far as anniversaries go, it is just a blip on the birthday radar.
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leonard slatkin
AUGUST 2021: A Tale of Two Orchestras
Read moreAs the summer broiled along, I participated in two music festivals. Both involved a combination of professional and student musicians, but that was pretty much where the similarities ended.
I have been going to Aspen since 1964, and it is safe to say that my path as a conductor began there. Much has changed. There were no traffic lights back then. At one time, the festival comprised just three shows a week; now it features as many as three a day. During my time as a student, there was only one orchestra. They played a single concert each week, led exclusively by the music director. The student body was around 150 when I attended and today includes hundreds more.